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Second Hand

2022–2023 Collage made of a video piece, drawings and embroidery, magazine cut-outs, texts and conversational fragments

FRAGMENTS OF HUMAN FOOTPRINTS

Liucija Dervinytė

Collage made of a video piece, drawings and embroidery, magazine cut-outs, texts and conversational fragments

2022-2023

It takes no time

to destroy.

It takes the world

to repair.

Liucija Dervinyte's works offer a contemplative exploration of the interplay between nature and human influence. When observing Earth from above, whether through satellite images or an airplane window, the dual beauty of landscapes and human-altered terrains becomes apparent. Whether it be the sprawling networks of cities, the stark contrast of cleared forests, or the scars left by mining endeavors, humanity's mark is omnipresent. What is equally awe-inspiring is the realization that these man-made patterns are as much a part of nature as the untouched landscapes. However, there is a growing concern that many of these patterns are being created in a repetitive manner that borders on excess. Liucija’s artistic collection, comprising a video piece, a mixed media triptych, and embroidered collages placed in strategic places of the manor, unfolds as a gradual narrative of the relationship between human and the environment.

Each piece serves as a fragment in a broader story, touching on various aspects of human dominance over time. For instance, a work might reflect on the deforestation near her home, prompting contemplation on broader issues like resource overconsumption or the invasive nature of human activities. Liucija uses second-hand materials, such as clothing, canvases or magazines, and a diverse array of sources in her creative process, blending information from texts, documentaries, cut-outs from magazines, found items, videos, and conversations. These elements, along with intuitive abstractions, form a collage of interconnected fragments that try to bridge the perceived gap between nature and culture. In the world where human activity leans towards overexploitation and destruction, artist contemplates on discerning when it is enough and how to mitigate overconsumption.

@liucijasmindgarden

liucija.ideas-block.com

Liucija Dervinytė

2022-2023

Sunaikinti.

Prireikia viso pasaulio

Atkurti.

@liucijasmindgarden

liucija.ideas-block.com

Second Hand Exhibition - smaller photos